French theater has undergone radical transformation. With roots dating back to the 12th century and performances that emerged independent of religious rituals, the architecture of French theater has evolved alongside the art itself. As structures for plays, musical concerts and diverse productions, these spaces are formed around subject and object, audience and performance. Organized around acting areas and stage space, these theaters are designed with varying levels of adaptability and structural permanence.
Combining onstage and offstage spaces, contemporary French theaters explore the notion of social and cultural gatherings to control spatial narratives. As storytelling devices, these structures build connections between public space and practice rooms, between people and place. The following theater projects were drawn from the Architizer database to reveal current approaches to French theater design. Built with iconic expressions and subtle geometries, the projects reveal a range of ideas on fenestration, massing and assembly. As cultural centers, they represent France’s evolving design culture and its newest approaches to capturing the limelight.
Designed to transform an existing structure with close ties to contemporary cultural practices, the Maurice Novarina Theatre features a curtain wall “window” that creates an urban shelf for new activities. Connecting interior and exterior space, the project and its façade are activated by processions and movement through space.
The Theatre Cergy design reshapes and reuses the existing Théâtre 95 in Pontoise while also exploring urban design and public space. Promoting interactions between the theater and the town, the building was placed directly in the heart of Pontoise. The building’s 400-seat auditorium was clad in golden-colored scales made from a copper aluminum alloy to reflect light and brighten the surroundings.
Sited in a location with rich architectural heritage, the Quinconces cultural complex connects the tree-lined Esplanade des Quinconces, Place des Jacobins and the Saint-Julien Cathedral. Designed as a social and urban condenser, the project is modular and versatile in nature. Two well-defined volumes house the major programs, with the cinema multiplex encased in white stone.
Distinguished by its location, the National Drama Center is sited in the heart of a district marked by crisis. As a place of reference and the arts, the project serves as an extension that restructures and respects the site’s past as a movie theater once called The Palace.
PARC’s Auditorium stands as a symbol among the loose and low-density urban fabric of Bondy. Playing off the aesthetics of a hangar, the project includes an undulated metal skin around an auditorium, conservatory and exhibition space.
‘Henri Dutilleux’ Music, Theater and Dance Conservatory by Dominique Coulon & Associés, Belfort, France
Echoing the surrounding open landscape, the ‘Henri Dutilleux’ Conservatory rises as a monolithic and seemingly opaque mass. Built with a condensed and superimposed program, multiple functional spaces are connected to fit into each other as the areas are hollowed out of a dense mass.
Located next to a forest of pine trees, the Jean-Claude Carrière was designed to allow passersby new pathways for wandering and gathering around the site. Extending the urban fabric and the character of the Domaine of O, the project includes courtyards and squares that set new patterns of daily life.
L’Astrada was made as a music venue that would house the renowned Marciac jazz festival. Respecting the town’s medieval past, the unpretentious building was designed with concrete casing and natural wood that’s both forceful and smooth.
Combing a theater with an auditorium space, this design was made as a simple building volume that sets the stage for social interaction and artistic events. Created to be read at different levels, the project includes a public limestone platform, parallelepiped volumes and white matte glass.
Located in a small city in the south of France, this theater is sited amongst several urban cultural facilities. Formed with a simple, compact volume, the project features a golden skin that envelopes the inner box and geometry.